Happy Ever After

Did Sondheim Destroy the American Musical?

It’s the other national anthem, saying,
If you want to hear -
It says, “Bullshit!”…
It says: Listen
To the tune that keeps sounding
In the distance, on the outside,
Coming through the ground…
We’re the other national anthem, folks,
The ones that can’t get in
To the ball park.
(Assassins)

Sandy Wilson, composer and lyricist, famously declared that Stephen Sondheim “destroyed the American musical almost singlehandedly. He’s turned it into a semi-operatic disquisition rather than an entertainment.” A brief survey of Sondheim’s catalogue, from the first concept musical Company (1970) with its lean view of marriage and flattened chronology, to Assassins (1990), a prickly but sympathetic account of eight American hit men (and women), suggests the composer and lyricist has indeed enacted a radical break with the unabashed good cheer of Oklahoma!’s “O what a beautiful mornin’’. More serious still, to challenge the form of that most American of theatrical celebrations—the Broadway musical—is apparently to challenge America itself. Yet a closer look at the so-called 1940s Golden Age of the musical comedy reveals Broadway’s tangled relationship with the American dream and a complex project of Jewish assimilation through the on-stage depiction of ‘outsiders’. Sondheim has been reticent about his heritage in interviews and commentaries on his work, but has noted an affinity with the outsider, stating “it’s obviously something I feel, belonging to two minorities”(being Jewish and gay). While Sondheim’s works often depict fragmented worlds that seem a far cry from the American creed, peopled as they are by the incompatible, dispossessed or unruly, his musicals do not perhaps disconnect with the musical’s Golden Age as much as Wilson feared: the Broadway “disquisition”on the outsider has been around for longer than might be expected. Just as the American musical of the 1940s began to redraw the boundaries of social inclusion, so Sondheim scores an alternative national anthem, for “the ones that can’t get in to the ball park.” Read more

The Complete History of the Jewish People Starting with David Schneider

Its over. I’m old. I write to you now as an old person. Amend the census, tick the age box marked ‘35 to what-does-it-matter-he’s-pastit-now’, pass on my number to cold-callers with special offers for careful drivers of a certain age. I’m now officially old.

How do I know? Was it Google’s new social network, Google Plus — the first time the internet’s left me feeling I can’t quite keep up? I, the early adopter who mocks Apple’s latest products by typing ‘Sent from my iPad 5’ at the bottom of my emails. Or was it when I saw the latest picture of Sinead O’Connor, once the absolute symbol for me of beauty and rebellion? I’d have married her like a shot in the 80s, if only to hear my worried parents ask: “O’Connor? That’s a Sephardi name, right?” But now time has taken its toll (and its surcharge. And VAT. And from the look of her, several stealth taxes as well). Sinead looks like a frazzled mum who’s forgotten to pick up her youngest from dance class because she was so busy trying to gether eldest to tidy her room and stop writing fan mail to the Pope (ah, how each generation finds its own way to rebel).

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Dispatches

The Big Cheese

The wild, top-hat-and-jeans-clad compére jumped onto the stage to announce the 20 semi-finalists of the second annual New York Cheesemonger Invitational. The crowd roared approval at those über-mongers who could detect age, nationality, name and bloom. For this, the third of four rounds, each contestant was to cut two 1/4 pound chunks of cheese and wrap each in cheese paper in under a minute. To mad applause, the first woman cheesemonger took to the stage. The clock began to tick. She estimated and sliced cheese amounts, posed triumphantly for the audience when her scale read 0.27lbs and began to wrap vigorously.

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Walking the Wire

HBO’s hit drama bypasses individualism to expose the systems that fail urban America

The American Dream is one of upward mobility, but also sideways movement. The aspiration to greatness comes with a rhetoric of self-sufficiency that causes people to move along and start again, rather than navigating existing structures. Not only was the founding event of the United States a secession, but the most traumatic moment in American history — the Civil War — was also a failed attempt at the same thing. From Woodrow Wilson’s ‘Splendid Isolation’ to the libertarian Tea Party movement, the United States has tended to view government involvement as an intrusion and to laud those who start afresh over those who try to improve what already exists.

The frontier myth romanticises the West as the place where American ideals of equality, democracy and innovation are forged. Despite 82% of the population already living in cities by 2008, the metaphors of individual freedom are still predominantly rural. The most iconic of these is the cowboy — beholden to no law but that of natural justice — who can ride off into the plains carrying nothing but his six-shooter. If you don’t like the current system, just “get out of Dodge” (a phrase made popular by Gunsmoke, the legendary television show about the settlement of the West) and start again.
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Two of a Kind

As The Palestinians Prepare to Declare Independence, the parallels between Israel and Palestine appear more striking

After the first Zionist conference in 1897, Theodor Herzl confided to his diary,“In Basel I created the Jewish state”. By the end of this month, Mahmoud Abbas may also declare — in another Swiss location —“In Geneva I created the Palestinian state”. On that day the PLO will present a call for the United Nations General Assembly in New York to approve Palestinian independence. If the Assembly passes it and the Security Council does not wield a veto, then the PLO observer mission at UN Offices in Geneva will upgrade to full member’s status. The very act of declaring independence and the coincidental Swiss connection brings the Palestinians curiously into line with the founders of the State of Israel, whose own declaration of independence was a pragmatic acceptance of the available over the greater ideal. Once aligned, multiple parallels between Israel and Palestine become visible across their social and political structures, some of which date from the Mandate. Through a historical and cultural consideration of the Palestinian’s proposed bid, it is possible to assess these parallels and see better how a future two-state solution might find an optimum modus operandi.

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Misreading Roth

Is The Controversy that Follows Philip Roth Justified?




Why does controversy seem to follow Philip Roth around? His first book, Goodbye, Columbus, touched off a riot of a reaction in the Jewish- American community when it was published in 1959. Roth, his detractors said, went out of his way to depict his fictional suburban Jews in an unpleasant light, a portrayal that would only give succour to antisemites. Ten years later, in 1969, Portnoy’s Complaint somehow scandalised an America that had witnessed a shocking number of political assassinations, watched nightly the televised carnage of Vietnam, and feared the revolutionaries that seemed to be taking over its cities. (To be fair, most Americans had never before read a depiction of an adolescent masturbating with a piece of liver.) None of the scandals that followed ever reached the heights of these first two, but Roth has, despite writing within a culture that seems to have less and less time for the printed word, shown a consistent talent for making headlines.
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A New Voice for Israel

by Jeremy Ben-Ami

Palgrave Macmillan. 2011

Jeremy Ben-Ami is a first rate political operator. In four short years he has made J Street a $5 million organisation and successfully built a Washington power base in opposition to the AIPAC juggernaut and the rest of the so called ‘pro-Israel’ lobby. With its mantra of ‘Pro-Israel, Pro-Peace’, J Street funds electoral battles, lobbies Congress and attempts to reframe the terms of debate. It has also spawned international imitators such as the predominantly French JCall and the recent UK start-up Yachad. Unfortunately Ben Ami’s skills as a theorist do not match his organisational success. A New Voice for Israel (subtitled ‘Fighting for the Survival of the Jewish Nation’) proves insufficient to jump-start a renewed peacemaking effort; his preference for platitudes over difficult questions leaves the book an exercise in nostalgia rather than an effective call to arms.
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Proximity Talks