Walking the Wire
September 13, 2011 by Dan Friedman
HBO’s hit drama bypasses individualism to expose the systems that fail urban America

The American Dream is one of upward mobility, but also sideways movement. The aspiration to greatness comes with a rhetoric of self-sufficiency that causes people to move along and start again, rather than navigating existing structures. Not only was the founding event of the United States a secession, but the most traumatic moment in American history — the Civil War — was also a failed attempt at the same thing. From Woodrow Wilson’s ‘Splendid Isolation’ to the libertarian Tea Party movement, the United States has tended to view government involvement as an intrusion and to laud those who start afresh over those who try to improve what already exists.
The frontier myth romanticises the West as the place where American ideals of equality, democracy and innovation are forged. Despite 82% of the population already living in cities by 2008, the metaphors of individual freedom are still predominantly rural. The most iconic of these is the cowboy — beholden to no law but that of natural justice — who can ride off into the plains carrying nothing but his six-shooter. If you don’t like the current system, just “get out of Dodge” (a phrase made popular by Gunsmoke, the legendary television show about the settlement of the West) and start again.
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